![]() ![]() When people say “interval ear training” they are referring to this process of learning to recognise intervals.Īs you first practice recognising intervals it starts out as a very abstract theoretical exercise. ![]() Each “type” of interval has a name and by recognising the type of interval, you are actually recognising how far apart two notes are in pitch. “Recognising intervals” means that when you hear a pair of notes in music you know the type of interval between them. Relative pitch is how you play by ear and improvise. Intervals are the building blocks of your sense of relative pitch, which lets you hear the pitch distances between notes. (Still not convinced? Read our full article: Interval Ear Training: what’s the point?) So learning interval recognition will give you that core musical instinct for pitch which lets you do all kinds of exciting practical things in your musical life. Intervals are the building blocks of relative pitch. The answer is they’re using a well-trained sense of relative pitch. Have you ever wondered how musicians can play songs by ear, improvise powerful solos, and write down the music they hear in their head or in the real world? In melodies, in chords and progressions, even in complex orchestral arrangements. Relative pitch is what lets you to judge the distances in pitch between notes. However when you learn to recognise intervals like that you are developing your core sense of relative pitch. Recognising a pair of notes as a “perfect fifth” might be a neat party trick but it’s not all that useful. What you need to know is that they’re a means to an end. This is a pity because learning intervals is powerful. When intervals are taught in a dry, music-theory way, they seem like useless abstract things. Unfortunately students are rarely told why they should bother learning interval recognition. Intervals are often recommended as the place to start with ear training. You can learn to recognise these different distances by ear, which is called “learning intervals” or “learning interval recognition”.Īn interval is the distance in pitch between two musical notes. We call the pitch distance between two notes the interval between them. The further apart two keys are physically, the further apart their pitches are. The leftmost notes are low in pitch, the rightmost notes are high in pitch. Some notes are the same pitch or close together while others are further apart. That means that between any two notes there is a difference in pitch.
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